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Назва: Поетика прози Марселя Паньоля
Інші назви: Poetics of Marcel Pagnol’s prose
Автори: Кудінова, О.І.
Kudinova, О.І.
Ключові слова: герменевтика
іманентний код
immanent code
Дата публікації: 3-лис-2003
Видавництво: Київський національний лінгвістичний університет
Бібліографічний опис: Кудінова, О. І. Поетика прози Марселя Паньоля : автореферат дисертації на здобуття наукового ступеня кандидата філологічних наук : Спеціальність 10.01.04 – література зарубіжних країн / Кудінова Ольга Іванівна. - Київ, 2003. - 20 с.
Короткий огляд (реферат): Дисертацію присвячено дослідженню особливостей поетики прозових творів французького письменника М.Паньоля. В роботі вперше здійснена спроба вивчення індивідуально-авторської парадигми мистецтва, аналізу іманентних кодів творів митця, шляхів художньої трансформації національного менталітету Провансу в прозі письменника та наративної структури паньолівської оповіді.
Опис: A thesis under consideration investigates the prose heritage of a French writer M.Pagnol (1895-1974) and treats his work as both unique and a dynamic aesthetic event of the writer’s era. The thesis identifies and interprets typical characteristic features of the writer’s individual artistic paradigm taking into account its genetic and typological contacts with the corresponding artistic and aesthetic phenomena of European and home traditions. The thesis provides the first modern European critique of Pagnol’s creative work. The subject of scientific research is Pagnol’s essay and artistic heritage, public speeches and epistolary. Contemporaries’ information about the writer’s personality and his creative activities are taken into consideration. Special attention could be drawn to the principle of a hermeneutic arch employed in the thesis as one of the methods of scientific research. It furthers reveals the relevance of the writer’s era, raises questions, transforms traditional literary paradigms, provides unique interpretation of Pagnol’s literary legacy which testifies the modeling and the transmission of reality’s inventive vision in its ontological and existential aspects, the embodiment of individual creative code brought about by the original world’s and word’s feeling. The author of dissertation proves that the French artist’s works were generated during an era characterized by the crisis of traditional humanistic values. The writer puts a human being in the center of his artistic embodiments that productively extends humanistic traditions of European literature. The thesis analyses Pagnol’s artistic works were as the synthesis of national (Provenсal) world-outlook and modern European aesthetic thought. The author of dissertation examines the realistic ethic and aesthetic basis of Pagnol’s artistic interpretation, which was formed in big measure by Provencal mentality, where the harmonious source surpasses the disharmonious one. An aspect of national mentality is in the focus of attention. The author of dissertation analyses the writer’s works in the context of Provencal literary tradition. Major poetics methods employed are the literary genres of an essay and of novel. Pagnol’s poetics is considered as a projection of actual historical facts into the language of fiction. The thesis also distinguishes and details the organic components of the artist’s poetics. The author of the thesis argues that Pagnol’s creative works have stimulated considerable influence over the reader’s involvement and formed an author’s communicative sphere on the monologue and dialogue forms of narration. The thesis carefully analyses narration, dialogue, monologue, commentary and description. Based upon the strength of objective reality of mental sources, Pagnol affirms priorities which are common to all mankind with the help of the humanistic content of his works. The writer interprets events and facts of life in the metaphysical aspect, thus demonstrating typical proximity to the literature of the “Catholic Renaissance”. The peculiarity of his poetics is an irrefutable universe, the adequacy of the phenomena of everyday life and spiritual symbolist trends. The candidate for degree analyzes categorical markers of Pagnol’s works of art, in other words, archetypes of Sun, Water and Mother, that postulates the priorities of Provencal mentality. While forming the extensive picture of the world, the realization of Pagnol’s narration and an important ability to communicate national-verbal sphere, provides specific energy. The writer gives the above-mentioned archetypes careful consideration because, on the one hand they are the symbols of sacral explanation of the past and, on the other hand they are the signs of joining to modern social and national differential existence. These archetypes as immanent codes of Pagnol’s artistic system intensify existential reason of narration and change accents for humanistic principles of his texts. The conclusions presented in this thesis include research of the evolution of Pagnol’s artistic thinking and elucidation of the structural peculiarities of his prose’s poetics. The conclusions further provided evidence to assert the writer’s refusal from epic source, his actualization of subject forms of self-expression, which proves his assimilation of the modernist discourse.
URI (Уніфікований ідентифікатор ресурсу): http://hdl.handle.net/123456789/624
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