Короткий опис (реферат):
Дисертацію присвячено дослідженню особливостей поетики прозових
творів французького письменника М.Паньоля. В роботі вперше здійснена
спроба вивчення індивідуально-авторської парадигми мистецтва, аналізу
іманентних кодів творів митця, шляхів художньої трансформації
національного менталітету Провансу в прозі письменника та наративної
структури паньолівської оповіді.
Суть розробки, основні результати:
A thesis under consideration investigates the prose heritage of a French writer
M.Pagnol (1895-1974) and treats his work as both unique and a dynamic aesthetic
event of the writer’s era. The thesis identifies and interprets typical characteristic
features of the writer’s individual artistic paradigm taking into account its genetic
and typological contacts with the corresponding artistic and aesthetic phenomena of
European and home traditions. The thesis provides the first modern European
critique of Pagnol’s creative work.
The subject of scientific research is Pagnol’s essay and artistic heritage,
public speeches and epistolary. Contemporaries’ information about the writer’s
personality and his creative activities are taken into consideration.
Special attention could be drawn to the principle of a hermeneutic arch
employed in the thesis as one of the methods of scientific research. It furthers
reveals the relevance of the writer’s era, raises questions, transforms traditional
literary paradigms, provides unique interpretation of Pagnol’s literary legacy which
testifies the modeling and the transmission of reality’s inventive vision in its
ontological and existential aspects, the embodiment of individual creative code
brought about by the original world’s and word’s feeling. The author of dissertation
proves that the French artist’s works were generated during an era characterized by
the crisis of traditional humanistic values. The writer puts a human being in the
center of his artistic embodiments that productively extends humanistic traditions of
European literature.
The thesis analyses Pagnol’s artistic works were as the synthesis of national
(Provenсal) world-outlook and modern European aesthetic thought. The author of
dissertation examines the realistic ethic and aesthetic basis of Pagnol’s artistic
interpretation, which was formed in big measure by Provencal mentality, where the
harmonious source surpasses the disharmonious one. An aspect of national
mentality is in the focus of attention. The author of dissertation analyses the writer’s
works in the context of Provencal literary tradition. Major poetics methods
employed are the literary genres of an essay and of novel. Pagnol’s poetics is
considered as a projection of actual historical facts into the language of fiction. The
thesis also distinguishes and details the organic components of the artist’s poetics.
The author of the thesis argues that Pagnol’s creative works have stimulated
considerable influence over the reader’s involvement and formed an author’s
communicative sphere on the monologue and dialogue forms of narration. The
thesis carefully analyses narration, dialogue, monologue, commentary and
description.
Based upon the strength of objective reality of mental sources, Pagnol affirms
priorities which are common to all mankind with the help of the humanistic content
of his works. The writer interprets events and facts of life in the metaphysical aspect,
thus demonstrating typical proximity to the literature of the “Catholic Renaissance”.
The peculiarity of his poetics is an irrefutable universe, the adequacy of the
phenomena of everyday life and spiritual symbolist trends.
The candidate for degree analyzes categorical markers of Pagnol’s works of
art, in other words, archetypes of Sun, Water and Mother, that postulates the
priorities of Provencal mentality. While forming the extensive picture of the world,
the realization of Pagnol’s narration and an important ability to communicate
national-verbal sphere, provides specific energy. The writer gives the
above-mentioned archetypes careful consideration because, on the one hand they are
the symbols of sacral explanation of the past and, on the other hand they are the
signs of joining to modern social and national differential existence. These
archetypes as immanent codes of Pagnol’s artistic system intensify existential
reason of narration and change accents for humanistic principles of his texts.
The conclusions presented in this thesis include research of the evolution of
Pagnol’s artistic thinking and elucidation of the structural peculiarities of his prose’s
poetics. The conclusions further provided evidence to assert the writer’s refusal
from epic source, his actualization of subject forms of self-expression, which proves
his assimilation of the modernist discourse.